All Todays (White Series) is a photographic meditation on fragility, memory, and transformation through the shifting presence of white. The works bring together fractured ceramics, a veiled Beethoven statue, the silhouette of a Coney Island tower dissolving into fog, charred wooden seats vanishing in smoke, and the arc of water from a firefighter’s hose.

These subjects are united not by origin but by their dissolution into light, tone, and atmosphere. White here is not emptiness but a restless medium — at once shroud and haze, scar and cleansing force. It conceals and reveals, erases and rewrites, holding destruction and renewal in uneasy balance.

Stripped to near-monochrome, the series asks viewers to confront unstable boundaries between presence and absence, creation and ruin, the visible and the unseen. Each subject becomes part of a larger meditation on how fragments and ruins carry the weight of the past into an uncertain present.

Through shifting shades of white, the works suggest that clarity can be found in obscurity, and strength in fragility. They invite us to linger in the in-between — where memory transforms, and beauty emerges from what remains.